Friday, January 14th
A Conversation with Thrity Umrigar. Virtual. 3:15 to 4:15 p.m.

Friday, February 4th
“Staging the Woman in Ex Machina and The Tempest,” a Lecture by James Newlin. Guilford Parlor. 3:15 to 4:15 p.m.

Friday, February 11th
“Erotic Poetics and Sister Songs: A Legacy of Black Women Creatives in the Black Arts Movement,” a Lecture by Loron Benton. Virtual. 3:15 to 4:15 p.m.

Friday, February 18th
“Words for Music Perhaps,” a lecture by Tom Bishop. Guilford Parlor. 3:15 to 4:15 p.m.

Friday, February 25th
“Sweat and Steam:  Zora Neale Hurston and Willie Cole Redefine Sin,” a Lecture by Leslie Wingard. Virtual. 3:15 to 4:15 p.m.

Friday, March 4th
“Flirting with the God of War: Coquettes, Hummingbirds, and the Hemispheric,” a Lecture by Maria Windell. Virtual. 3:15 to 4:15 p.m.

Friday, March 18th
Ammon Hennacy:  How to Get Sent to Solitary for Advocating Pacifism in Ohio,” a Lecture by William Marling. Guilford Parlor. 3:15 to 4:15 p.m.

Friday, March 25th
A Poetry Reading by George Bilgere. Guilford Parlor. 3:15 to 4:15 p.m.

Friday, April 1st
“The Ubiquity of the Interview: The Story of a Lower Genre,” a Lecture by Jeff Williams. Clark 206. 3:15 to 4:15 p.m.

Friday, April 8th
“Constance Fenimore Woolson: The Story of her Revival and Why the Recovery of Nineteenth-Century Women Writers Matters,” a Lecture by Anne Rioux (the Sadar Lecture). Clark 206. 3:15 to 4:15 p.m.

Friday, April 15th
“Light and Time in the Narrative Fiction Film,” a Lecture by Patrick Keating. Guilford Parlor. 3:15 to 4:15 p.m.

Friday, April 22nd
The Adrian-Salomon Event. Guilford Parlor. 3:15 to 4:15 p.m.